Theater company born in 1996, founded by artists from various disciplines who mix to give life to their first experimental and street work called A Sangre e Pato. As a result of this first production, they are invited to a series of international festivals, which begins the group's professional work. The year 1999 brought the establishment of their theatrical proposal, giving shape to El Húsar de la Muerte, under the artistic direction of Martin Erazo, a work with which they toured much of America and Europe. This work becomes the starting point of the formal organization of La Patogallina. From now on the company stands out for its own mix; elements of cinematographic narrative, live music, tragicomedy, political theater, the construction of poetic images, the manipulation of objects and dolls, and a marked line of physical theater in the performance.

Outstanding theater director, audiovisual director and screenwriter, with audiovisual and cinematographic studies at Instituto Arcos and EICTV (Cuba), Diploma at the La Mancha Theater School, International School of Gesture and Image. Founder and artistic director of the La Patogallina Collective, from 1996 to date, and co-director and co-founder of the sound intervention company Teatro del Sonido (2012, to date), co-director of FITKA (Street Theater Festival), director of the Festival of Performing Arts of Isla Negra FESTINE. He has held workshops, seminars, theater conferences, acting, self-management, improvisation and scenic creation in Chile and abroad. In addition, he has been a teacher at the Catholic University of Chile, Finis Terrae and Academia de Humanismo Cristiano. He has directed shows in Mexico, Ecuador and Colombia. In Chile he has directed various shows by artists and companies; Virtual Circus, Compañía Movimiento, Ismael Oddó, Ana Tijoux, Stefan Kramer, Lalo Prieto, La Juana Teatro and Los Nadie Circo, among others.

He has directed massive shows such as the openings of the Altazor Awards, opening for the Víctor Jara Stadium name change ceremony, opening of the ITFOK India 2010 festival, the closing show of the 2015 Teatro a Mil International Festival, The Gramophone; the public intervention Neruda is flying, and the inaugural show of the Festival Internacional Teatro a Mil 2017, Without Borders.