Three friends survive the post-Covid inflation crisis by delivering pizza in their motorcycles around Santiago de Chile. One day one of them decides to help a friend by keeping and taking care of a milking cow in her backyard. The cow is probably stolen, so no questions are asked. But after a few weeks the friends realize nobody is going to ever pick up the cow. They immediately start discussing about what to do with the cow. They consider milking the cow and selling its raw milk. But eventually they receive a hefty offer from a local butcher.

A violent ending becomes almost inevitable, but the story is more than a thriller, because it is wrapped in a puzzling mystery, as the characters once and again repeat that they live inside what they call Cultural Television. The reality in which they live is called into question. The threat might not come from the people who want to kill the cow. The danger might be the actual experience of trying to survive as subjects to sophisticated propaganda. In this world of social decay and violence someone might be advocating for a new regime able to crush all cows and rule, again, from the military barracks.