Theatre
Dramaturge and Director: Eduardo Luna | Assistant Director: Pamela Alarcón | Integral Design: Javiera Severino, Karla Rodríguez and Javier Alvarado | Cast: Felipe Lagos, Nicole Morales, Alexis Moreno Venegas, Paly Pavez and Sebastián Silva Rodríguez | Musical Composition: Francisco Moreira and Vicente Cuadros | Guest Musicians: Angela Acuña (cello), Javiera Aguayo (double bass), Camilo Aliaga (keyboards and piano) | Composition Bolero Hambriento: Alexis Moreno Venegas | Rancheras: Los Reales del Valle | Soundr: Pablo Ramírez | Sound Mixing: Barry Sage | Audiovisual Recording and Postproduction: Diego Elgueta | Photography and Video Advertising: Diego Pezo and Marcos Ríos.
Eduardo Luna
Director
Eduardo Luna holds a Bachelor’s degree in Arts, and a Master's degree in Theater Direction and Pedagogy, both from the Universidad de Chile. He is the founder, dramaturge and artistic director of the Lafamiliateatro company. He has led relevant theatrical productions at national and international level. Eduardo also is director of Enlazarte, a performing arts cycle throughout the Metropolitan Region, as well as a professor at several national universities. He is currently promoting the network of Chilean theater companies (Compañías Teatrales Chilenas en Red).
Lafamiliateatro
The company
With 17 years of experience, the company has managed to establish a work that is recognized nationally and internationally for its focus on the recovery of recent historical memory. The quality of its artistic productions and the diversification of its activities in the field of cultural management have been widely applauded. Some of their plays are Todas las Aves (2013), Niña Astronauta (2014) and the previous, outstanding play Painecur (2017), acknowledged with Best Playwriting in the Juan Radrigán Awards and Best Playwriting in the MOL Awards (Best Literary Works) by the Chilean Ministry of Cultures, Arts and Heritage.
Check out reviews and articles published in the Chilean press about the Lafamiliateatro company:
COLABORA
Mauro
Direction and Dramaturgy by Eduardo Luna | A production of Lafamiliateatro and Teatro Finis Terrae
- Chile
- Spanish
- 110 minutes
- + 12 years
Based on real events, the play shows the fight of a community in northern Chile against the socio-environmental impacts of mining in their territory.
Written and directed by Eduardo Luna, Mauro is born from the concern to put the spotlight on a community affected by the construction of the El Mauro tailings dam, located in the Coquimbo Region. With 1,700 million tons of waste, the dam is considered the largest and most toxic in Latin America.
"Although this play is based on real events, the theatrical fiction allows us to trace a metaphor for the situation experienced by all the so-called “zones of sacrifice” in Chile," explains the director.
Faithful to Lafamiliateatro company´s documentary research style, which has already been widely applauded for its previous play Painecur, Mauro addresses a human tragedy and echoes the problems affecting thousands of displaced communities worldwide, uprooted and impoverished by the industrialized exploitation of natural resources.
In Mauro, the tragedy begins with the loss of water. A group of community members decide to go on a hunger strike.
It is a fiction based on real events.
Mauro
Direction and Dramaturgy by Eduardo Luna | A production of Lafamiliateatro and Teatro Finis Terrae
- Chile
- Spanish
- 110 minutes
- + 12 years
Based on real events, the play shows the fight of a community in northern Chile against the socio-environmental impacts of mining in their territory.
Written and directed by Eduardo Luna, Mauro is born from the concern to put the spotlight on a community affected by the construction of the El Mauro tailings dam, located in the Coquimbo Region. With 1,700 million tons of waste, the dam is considered the largest and most toxic in Latin America.
"Although this play is based on real events, the theatrical fiction allows us to trace a metaphor for the situation experienced by all the so-called “zones of sacrifice” in Chile," explains the director.
Faithful to Lafamiliateatro company´s documentary research style, which has already been widely applauded for its previous play Painecur, Mauro addresses a human tragedy and echoes the problems affecting thousands of displaced communities worldwide, uprooted and impoverished by the industrialized exploitation of natural resources.
In Mauro, the tragedy begins with the loss of water. A group of community members decide to go on a hunger strike.
It is a fiction based on real events.
Dramaturge and Director: Eduardo Luna | Assistant Director: Pamela Alarcón | Integral Design: Javiera Severino, Karla Rodríguez and Javier Alvarado | Cast: Felipe Lagos, Nicole Morales, Alexis Moreno Venegas, Paly Pavez and Sebastián Silva Rodríguez | Musical Composition: Francisco Moreira and Vicente Cuadros | Guest Musicians: Angela Acuña (cello), Javiera Aguayo (double bass), Camilo Aliaga (keyboards and piano) | Composition Bolero Hambriento: Alexis Moreno Venegas | Rancheras: Los Reales del Valle | Soundr: Pablo Ramírez | Sound Mixing: Barry Sage | Audiovisual Recording and Postproduction: Diego Elgueta | Photography and Video Advertising: Diego Pezo and Marcos Ríos.
Eduardo Luna
Director
Eduardo Luna holds a Bachelor’s degree in Arts, and a Master's degree in Theater Direction and Pedagogy, both from the Universidad de Chile. He is the founder, dramaturge and artistic director of the Lafamiliateatro company. He has led relevant theatrical productions at national and international level. Eduardo also is director of Enlazarte, a performing arts cycle throughout the Metropolitan Region, as well as a professor at several national universities. He is currently promoting the network of Chilean theater companies (Compañías Teatrales Chilenas en Red).
Lafamiliateatro
The company
With 17 years of experience, the company has managed to establish a work that is recognized nationally and internationally for its focus on the recovery of recent historical memory. The quality of its artistic productions and the diversification of its activities in the field of cultural management have been widely applauded. Some of their plays are Todas las Aves (2013), Niña Astronauta (2014) and the previous, outstanding play Painecur (2017), acknowledged with Best Playwriting in the Juan Radrigán Awards and Best Playwriting in the MOL Awards (Best Literary Works) by the Chilean Ministry of Cultures, Arts and Heritage.
Check out reviews and articles published in the Chilean press about the Lafamiliateatro company:
COLABORA