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Created by Alejo Moguillansky, Luciana Acuña, Ezequiel Pierri, Gabriela Gobbi, Mariana Tirantte | Direction: Luciana Acuña and Alejo Moguillansky | Production: Gabriela Gobbi | Costumes: Mariana Tirantte | Cinematography: To be confirmed | Cast: To be confirmed | Live musician/DJ: To be confirmed | Technical Production: To be confirmed | Distribution: Jonathan Zak, Maxime Seugé (Timbre 4)

Alejo Moguillansky y Luciana Acuña

Creación y dirección

Creation and direction

Luciana Acuña

Choreographer, dancer and actress. She also teaches at the Universidad Nacional de las Artes (UNA). She is co-founder and director of Grupo Krapp, whose works have toured festivals and theaters in Latin America, the United States and Europe.

Alejo Moguillansky

Filmmaker. His films have been presented at Cannes, Berlinale, Viennale and BAFICI, among many others. He is a founding member of El Pampero Cine and a professor at FUC.

Luciana and Alejo have been working together for more than fifteen years, crossing the languages of dance and film, producing works, installations and films.

"Just when Alejo Moguillansky says ‘Action’ over the loudspeaker, adrenaline invades the spectator's body, and he begins to live the dynamics of a shooting. It's time to run, avoid the smoke, take shelter from the rain and an artificial snowfall. At the end of the course, the spectator can see projected on screens the final version of the scenes in which, as a witness, he has just participated”.

-Informe21, 2023

“... a whole defined by the same chaos and adrenaline that inevitably makes references to those same blocks of such real symbolic value as the scene of political or social demonstrations (...) Within minutes, the version of Special Effects designed for the camera was screened, forming a whole as ephemeral as it is powerful”.

-La Nación, 2023

Efectos especiales

Direction Luciana Acuña and Alejo Moguillansky

  • Argentina
  • Español
  • 60 minutos
  • Todo público
  • * Este espectáculo es una performance en la vía pública que utiliza bengalas de humos, agua y otros efectos especiales

Parte de la programación gratuita de Antof a Mil. Revisa aquí >

Parte de la programación gratuita de Iquique a Mil. Revisa aquí >

"Believe me when I tell you, words are not enough to describe this spectacle."

  • Informe21, 2023

The city is the set of an impossible film where the character dies and does so over days, nights, winters, rains, and darkness, in a very long sequence shot, probably the longest ever filmed in that region. In three different takes of the same route, a different performer will each time invent his or her own way of dying, confronting the architecture of the place, the emblematic streets of the city, and pure fantasy: rain, snow, colored smoke. One might suspect that the agony lasts all the seasons of the year, or that it harbors all the images of the world. A wheel of fortune that never stops dying.

Fechas:

Created by Alejo Moguillansky, Luciana Acuña, Ezequiel Pierri, Gabriela Gobbi, Mariana Tirantte | Direction: Luciana Acuña and Alejo Moguillansky | Production: Gabriela Gobbi | Costumes: Mariana Tirantte | Cinematography: To be confirmed | Cast: To be confirmed | Live musician/DJ: To be confirmed | Technical Production: To be confirmed | Distribution: Jonathan Zak, Maxime Seugé (Timbre 4)

Alejo Moguillansky y Luciana Acuña

Creación y dirección

Creation and direction

Luciana Acuña

Choreographer, dancer and actress. She also teaches at the Universidad Nacional de las Artes (UNA). She is co-founder and director of Grupo Krapp, whose works have toured festivals and theaters in Latin America, the United States and Europe.

Alejo Moguillansky

Filmmaker. His films have been presented at Cannes, Berlinale, Viennale and BAFICI, among many others. He is a founding member of El Pampero Cine and a professor at FUC.

Luciana and Alejo have been working together for more than fifteen years, crossing the languages of dance and film, producing works, installations and films.

"Just when Alejo Moguillansky says ‘Action’ over the loudspeaker, adrenaline invades the spectator's body, and he begins to live the dynamics of a shooting. It's time to run, avoid the smoke, take shelter from the rain and an artificial snowfall. At the end of the course, the spectator can see projected on screens the final version of the scenes in which, as a witness, he has just participated”.

-Informe21, 2023

“... a whole defined by the same chaos and adrenaline that inevitably makes references to those same blocks of such real symbolic value as the scene of political or social demonstrations (...) Within minutes, the version of Special Effects designed for the camera was screened, forming a whole as ephemeral as it is powerful”.

-La Nación, 2023

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