In his first pieces (name given by the author, Jérôme Bel, Shirtology), Jérôme Bel applied structuralist operations to dance in order to single out the primary elements of the theatrical spectacle. The neutralization of formal criteria and the distance he took from the choreographic language led him to reduce his pieces to their operational minimum, to better bring out a critical reading of the economy of the scene and the body on it.

Through the use of biography, Jérôme Bel politicizes his questions, aware of the crisis that surrounds the subject in contemporary society and the forms that its representation on stage takes. By offering the stage to non-traditional performers (amateurs, people with physical and mental disabilities, children...), he shows a preference for the community of differences over the formatted group, and a desire to dance over choreography, and duly applies the methods of a process of emancipation through art.
Since 2019, for ecological reasons, Jérôme Bel and his company no longer use airplanes for their travels and it is with this new paradigm that his latest performances (Xiao Ke, Laura Pante, Dances for Wu-Kang Chen, Jérôme Bel...) have been created and produced.

Actress and multidisciplinary artist. Director of the performance group Nerven & Zellen. Since 2009 she has been researching sign language and incorporating it into stage language, creating projects designed for the deaf community with the aim of bringing them closer to musical culture, performing arts, and poetry, opening spaces for dialogue between the deaf and hearing community. Among its multidisciplinary projects combining dance, theater, audiovisual, visual arts, and music, it is worth mentioning the platforms NZcanal, musical video clips adapted to sign language; Transmisor radiovisual, multimedia performance installation; Trasunto #1 and Trasunto #2 poems viso-spatial gesture.