Teatro de marionetas
General director and main character: Francisco Reyes | Camera and staging: Elisa Reyes | Puppet creation: Ismael Reyes | Dramaturgist: Simón Reyes | Comedian (video): José Soza.
Francisco Reyes
The star
Theater as a family
This actor has enjoyed a long career in theater, cinema and television. Unhappy with his job as an architectural graduate, he turned to music and then theater. A small role in a telefilm on the life of Saint Theresa of the Andes opened the doors to TV work, consolidating him as one of the most famous faces on TV with his performances in popular soaps. He’s also had an outstanding career in cinema, with various collaborations with Raúl Ruiz standing out, as well as his role in the Oscar-winning film Una mujer fantástica more recently. In theater, he’s had acclaimed roles in recent productions such as La gaviota, La desobediencia de Marte and Encuentros breves con hombres repulsivos. In Yorick, la historia de Hamlet, the actor makes up part of a team with his children Elisa, Ismael and Simón.
Simón Reyes
Simón Reyes
Dramaturgist
He studied theater and theater directing at the Puckschule Experimental School in Stuttgart, where he learnt acting and directing according to the Michael Chejov method, as well as improvisation, juggling, poetry, dance, fencing, art history, commedia dell’arte, choral work and philosophy, among other things. He studied acting and directing under teachers Dr. Felix Müller (director of theater at Schauspielhaus Frankfurt/Main and director of the drama department at the State University of Music and the Performing Arts in Stuttgart, Germany) and Bernd Kühler (professor of theater teaching at the State University of Music and Performing Arts in Stuttgart). In 2014, he directed the original version of Yorick, the story of Hamlet, a traveling theater play that went back to theater’s roots by using a storyteller. That same year, he directed the dramatized readings of Shakespeare450 with Néstor Cantillana and Gary Counsil in the framework of the Shakespeare festival commemorating 450 years since his birth.
William Shakespeare
William Shakespeare
Author
This English playwright and poet (1564-1616) is the undisputed universal master of literature and theater and of conveying his characters’ feelings, like pain, betrayal, love and jealously. That’s why plays such as Hamlet, King Lear, Othello, Romeo and Juliet and A Midsummer’s Night Dream are still completely relevant today and are read and performed all over the world.
“The piece is surprising, captivating and touching. The star’s capacity as an actor meshes with the correct camera angles, lights and shadow, background music and, of course, with the puppets”.
–Culturizarte
”Yorick, the story of Hamlet, is a virtual classic performed with excellent results, worth watching and enjoying”.
–El Mercurio
-It’s a piece that cleverly combines elements of live theater - this an adaptation of a play that was conceived not only to be performed live but also in abandoned buildings - with audiovisual elements and puppet theater, thanks to the incorporation of the plasticine puppets created by Ismael Reyes.
-Even though actor Francisco Reyes - star of the show - connects with the audience through Zoom, the piece has elements that help create an intimate atmosphere, for example the fact that the scene is lit by a candle. It’s like we’re being told a story.
-It’s a good way to find out more about Shakespeare’s play and gain a new appreciation for it. “The majority of the text for Yorick, la historia de Hamlet has been taken from Hamlet, while other parts of it were written by us. Yorick bases its story on the soliloquys of Hamlet and tells the events just as they happen in the original piece: the appearance of his father’s ghost, the collusion of King Claudius, the meeting with his friends Rosencrantz and Guilderstein, the unmasking of the King, the conversation with Ophelia, and his mother, his duel with Laertes – Ophelia’s brother – and death. The only scene that is ours is when Yorick describes how he came to be the court jester and his relationship with the young Hamlet. Hamlet’s conversations with other people are sometimes used whole and sometimes not. We translated them, not trying to turn them into something universal, but simply so that the English poet’s flair could shine through”, say its creators.
-Hamlet: Supposedly written between 1599 and 1601, this is one of William Shakespeare’s most representative plays and one of his most performed ones. Divided into five acts, it tells the story of Prince Hamlet, who’s looking to avenge his father, King Hamlet, murdered by his brother Claudius so he could take both his widow and the throne. One night, the ghost of Hamlet senior appears to his son to ask him for justice, stirring up a number of emotions in him, from sorrow for his loss to anger and a thirst for vengeance for what his uncle has done. Hamlet is a play that masterfully describes things like corruption and betrayal.
- Puppet theater: In the book Aproximación al teatro de títeres by Argentine puppeteer Juan Enrique Acuña, this genre is defined as ‘a group of artistic disciplines and techniques through which a specific kind of show is created, performed and organized,
characterized by the use of certain expressive material elements’. Four different basic techniques are usually mentioned: stick, glove, shadow and either mobile or string puppets. All these forms have been improved upon by technological advances and experimentation. For example, there are now digital puppets and puppets with complex mechanisms that require several puppeteers.
Yorick, la historia de Hamlet
Directed by Francisco Reyes | Based on Hamlet by William Shakespeare
- Chile
- Spanish
- 60 minutes
- Todo público
First premiered in 2014, this one-man show starring Francisco Reyes is a captivating virtual version that pays tribute to Shakespeare’s play.
Yorick, la historia de Hamlet is an appropriation of Shakespeare’s Hamlet, based on the main soliloquys from the play as narrated by Yorick, a character who in the original piece is played by the iconic skull of the deceased jester. It’s a one-man show whose video version also includes characters played by plasticine puppets.
The show was created in 2014 as live theater and was conceived for outdoor performances in villages lacking cultural infrastructure, with the ruins of buildings historically important to these locations sought out for its performances. The current video version only involves the actor playing Yorick (Francisco Reyes), who also moves the plasticine puppets. It’s an intimate show by a storyteller, lit only by the light of a candle.
General director and main character: Francisco Reyes | Camera and staging: Elisa Reyes | Puppet creation: Ismael Reyes | Dramaturgist: Simón Reyes | Comedian (video): José Soza.
Francisco Reyes
The star
Theater as a family
This actor has enjoyed a long career in theater, cinema and television. Unhappy with his job as an architectural graduate, he turned to music and then theater. A small role in a telefilm on the life of Saint Theresa of the Andes opened the doors to TV work, consolidating him as one of the most famous faces on TV with his performances in popular soaps. He’s also had an outstanding career in cinema, with various collaborations with Raúl Ruiz standing out, as well as his role in the Oscar-winning film Una mujer fantástica more recently. In theater, he’s had acclaimed roles in recent productions such as La gaviota, La desobediencia de Marte and Encuentros breves con hombres repulsivos. In Yorick, la historia de Hamlet, the actor makes up part of a team with his children Elisa, Ismael and Simón.
Simón Reyes
Simón Reyes
Dramaturgist
He studied theater and theater directing at the Puckschule Experimental School in Stuttgart, where he learnt acting and directing according to the Michael Chejov method, as well as improvisation, juggling, poetry, dance, fencing, art history, commedia dell’arte, choral work and philosophy, among other things. He studied acting and directing under teachers Dr. Felix Müller (director of theater at Schauspielhaus Frankfurt/Main and director of the drama department at the State University of Music and the Performing Arts in Stuttgart, Germany) and Bernd Kühler (professor of theater teaching at the State University of Music and Performing Arts in Stuttgart). In 2014, he directed the original version of Yorick, the story of Hamlet, a traveling theater play that went back to theater’s roots by using a storyteller. That same year, he directed the dramatized readings of Shakespeare450 with Néstor Cantillana and Gary Counsil in the framework of the Shakespeare festival commemorating 450 years since his birth.
William Shakespeare
William Shakespeare
Author
This English playwright and poet (1564-1616) is the undisputed universal master of literature and theater and of conveying his characters’ feelings, like pain, betrayal, love and jealously. That’s why plays such as Hamlet, King Lear, Othello, Romeo and Juliet and A Midsummer’s Night Dream are still completely relevant today and are read and performed all over the world.
»La puesta en escena sorprende, cautiva y emociona. La capacidad actoral del protagonista se conjuga con las acertadas decisiones de cámara, de luces y sombras, de la música incidental y, por supuesto, por la incorporación de marionetas«.
–Culturizarte
»Yorick, la historia de Hamlet es un clásico en un modo virtual de excelente resultado que se merece ver y disfrutar«.
–El Mercurio
-Porque es un trabajo que combina virtuosamente elementos del teatro presencial –no por nada esta es una adaptación nacida de una obra que se pensó no solo para ser presentada en vivo, sino en espacios abandonados– con elementos del mundo audiovisual y el teatro de marionetas, gracias a la incorporación de muñecos de plasticina creados por Ismael Reyes.
-Aun cuando la intermediación del actor Francisco Reyes –protagonista de la obra– y los asistentes es una pantalla de ZOOM, el montaje introduce elementos que ayudan a configurar un ambiente de intimidad, como el hecho de que la escena esté iluminada por una vela. Tal como si nos estuvieran contando un cuento.
-Porque es una buena forma para acercarse y apreciar desde un nuevo punto de vista la obra de Shakespeare. “La mayoría de los textos de Yorick, la historia de Hamlet han sido tomados de Hamlet, mientras que otros son de nuestra autoría. Yorick estructura su relato a partir de los soliloquios de Hamlet y va contando los hechos tal como suceden en la pieza original: aparición del espectro de su padre, confabulación del Rey Claudio, encuentro con sus amigos Rosencrantz y Guilderstein, desenmascaramiento del Rey, diálogo con Ofelia, diálogo con su madre, duelo con Laertes, hermano de Ofelia y muerte. La única escena de nuestra autoría es cuando Yorick describe cómo llegó a ser bufón de la corte y su relación con el pequeño Hamlet. Los diálogos de Hamlet con otros personajes a veces son tomados enteros y otras veces solo fragmentos. La traducción es de nuestra autoría, sin pretender que sea universal, sino que cumpla la función de hacer relucir la gracia del poeta inglés”, aclaran sus creadores.
-Hamlet: Escrita presuntamente entre 1599 y 1601, es una de las obras más representativas y montadas de William Shakespeare. Estructurada en cinco actos, cuenta la historia del príncipe Hamlet, quien busca vengar a su padre, el rey Hamlet, asesinado por su hermano Claudio para quedarse tanto con su viuda como con el trono. Una noche, el fantasma de Hamlet adre se le aparece al hijo para pedirle que busque justicia, lo que despierta en este último un tránsito de emociones que va desde la pena por la pérdida a la ira y sed de venganza por lo hecho por su tío. Hamlet es una obra que grafica con maestría temas como la corrupción y la traición.
-Teatro de marionetas: También llamado teatro de títeres o teatro de muñecos, es definido como "un conjunto de disciplinas artísticas y técnicas mediante las cuales se crea, realiza y organiza una especie peculiar de espectáculos, caracterizados por el uso de ciertos elementos materiales expresivos", según el libro Aproximación al teatro de títeres, del titiritero argentino Juan Enrique Acuña. A grandes rasgos, se suelen distinguir cuatro técnicas básicas: títeres de varilla, de guante, de sombra y las marionetas, articuladas o movidas por hilos. Todas ellas han sido enriquecidas a partir de los avances de la tecnología y de diversas experimentaciones. Por ejemplo, hay títeres digitales y títeres construidos a partir de complejos mecanismos que involucran la manipulación de varias personas.
-Revisa videos de la versión presencial de Yorick, la historia de Hamlet aquí.
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